One of my favorite tasks is to sit around on Sunday morning spending a few hours reading the New York Times while munching on biscuits and gravy or danish; while sipping a couple carafes of coffee from my French press.
This Sunday, I found myself reading and rereading, while chewing my cheese danish, an article titled “The Debutante’s Ball” about 25-year-old artist Ted Mineo. His work was alright, futurism meets surrealism, mixed with a bit of the fantasy role-players shop. You know the type I am talking about – that knife shop in the mall that sells pewter dragons, reproductions of swords from the Lord of the Rings films and strange little paintings of elves and magicians on mirrors. While I am glad that both the Turner Prize and the New York Times are returning a bit of focus to painters, I have to question their choices for our neo-saviors of painting. Mineo’s works sell on average between $5k and $15k. He returns to Miami Basel for his second year at America’s premiere art fair. I believe one quote in the NY Times compares the Miami show to the Venice Biennial and I have to say that is fairly accurate. I visited his website and found a small amount of work and a resume/bio; but no statement. Nothing to explain why he paints nymphs and gargoyles on one piece and a sandwich with a thorn of crowns on another (I can guess on this one and even appreciate his technical skill with oils). He was controversially plucked out of grad school (Yale, mind you) and carried into the New York gallery scene in the pocket of a prominent gallerist.
Back to my own work, I work near the concept of a painting-a-day. I don’t aim my work in that direction, it just seems to happen. That type of projection forces one to continuously rehash concepts and subjects in new directions. Yesterday, I finally made some breakthroughs in my approach to minimalism, representation and composition. I’ll post new images in a day or two. At the end of the day, I’m still a visual person and I’ve finally reached a moment in my painting where it may be difficult to “describe” the work. Is this where Mineo finds himself? I’m doubtful, but then again, I have yet to see the work in person. That is always the true test; can the work stand-up with a personal viewing.
On that note, I’ve gotten a few e-mails asking where to see my work around the country. My current exhibition schedule for solo shows in 2007:
April – Bill McIntosh Gallery, Billings, Montana
Sept. – Morris Graves Museum of Art, Eureka, California
Dec. – Margaret Harwell Art Museum, Poplar Bluff, Missouri
Date undecided – Palette Contemporary Art & Craft, Albuquerque, New Mexico
The above is just a list of upcoming solo venues. Throughout the year, I am continuously involved in group shows around the country. I’m also waiting on confirmation from a gallery and museum in Canada; which I will post the results of later. – DN